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Marion von Osten

    Marion von Osten est une artiste et une théoricienne dont le travail explore la production culturelle au sein des sociétés postcoloniales. Sa pratique aborde le moi et la gouvernance de la mobilité, en utilisant une gamme variée de médias, des expositions et installations à la vidéo et au texte. Von Osten synthétise des approches curatoriales, artistiques et théoriques pour examiner de manière critique la modernité et ses répercussions. Sa recherche et ses entreprises artistiques se caractérisent par un profond intérêt pour la manière dont les structures sociales et politiques sont façonnées par les expressions culturelles.

    MoneyNations
    In the Making
    Material Marion von Osten 1: Money Nations
    • In the Making

      In the Desert of Modernity: Colonial Planning and After

      In the Making: In the Desert of Modernity: Colonial Planning and After. A Research-Based Practice explores the artistic and curatorial methods of Marion von Osten (1963-2020). Through the development of her significant exhibition and related projects, von Osten shares insights into research practices, collaborative efforts, field trips, and encounters. While the book ColonialModern. Aesthetics of the Past, Rebellions for the Future (edited by Tom Avermaete, Serhat Karakayali, and Marion von Osten) focuses on the relationship between architecture, urban planning, and colonialism, In the Making delves into the conceptual and design aspects of exhibition making, revealing connections that need to be reestablished. Central to this exploration are the practices of walking, talking, listening, meeting, and relating, which are vital components of inquiry, particularly in a postcolonial context. The work addresses spatial politics, power dynamics, and social struggles during colonial times, liberation movements, and decolonization in North Africa. In the Making embraces unexpected encounters and paves the way for parainstitutional and feminist approaches to exhibition making.

      In the Making