Ex Ponto; Nemiri; Lirika
Nemiri ; Lirika
Auteurs
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Andrić’s first published works were poems, and he continued to write verse throughout his life, much of which remained unpublished until after his death. His early poems emerged within the Young Bosnia movement, contrasting the vibrant personalities of its members with a more somber literary output. The tone of Andrić's pre-WWI poetry aligns closely with that of his contemporaries, yet his role as a political activist felt fundamentally mismatched to his nature. Instead, his prevailing melancholy resonated with his view of the world. These early poems establish a free verse form and reveal a tendency towards mournful self-pity. The prose poems written during the War serve as personal confessions rather than mere literary reflections. “Ex Ponto,” published in 1918, and “Unrest,” from 1920, were later excluded from his collections, as Andrić deemed them too intimate. Nonetheless, they are significant for the ideas and themes that recur in his later works. While the emotional intensity of his later prose and verse is less pronounced, the form—combining aphoristic statements with reflective passages—remains. “Ex Ponto” and “Unrest” capture his emotional responses to his early life and explore the central paradox of his personality and oeuvre.
Achat du livre
Ex Ponto; Nemiri; Lirika, Ivo Andrić
- Langue
- Année de publication
- 2003
- Reliure
- (rigide)
Modes de paiement
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- Titre
- Ex Ponto; Nemiri; Lirika
- Sous-titre
- Nemiri ; Lirika
- Auteurs
- Ivo Andrić
- Éditeur
- Konzor
- Publié
- 2003
- Format
- rigide
- Pages
- 255
- ISBN10
- 9532240284
- ISBN13
- 9789532240283
- Séries
- Catégories
- Mots clés
- Littérature serbe
- Description
- Andrić’s first published works were poems, and he continued to write verse throughout his life, much of which remained unpublished until after his death. His early poems emerged within the Young Bosnia movement, contrasting the vibrant personalities of its members with a more somber literary output. The tone of Andrić's pre-WWI poetry aligns closely with that of his contemporaries, yet his role as a political activist felt fundamentally mismatched to his nature. Instead, his prevailing melancholy resonated with his view of the world. These early poems establish a free verse form and reveal a tendency towards mournful self-pity. The prose poems written during the War serve as personal confessions rather than mere literary reflections. “Ex Ponto,” published in 1918, and “Unrest,” from 1920, were later excluded from his collections, as Andrić deemed them too intimate. Nonetheless, they are significant for the ideas and themes that recur in his later works. While the emotional intensity of his later prose and verse is less pronounced, the form—combining aphoristic statements with reflective passages—remains. “Ex Ponto” and “Unrest” capture his emotional responses to his early life and explore the central paradox of his personality and oeuvre.