Paramètres
- 128pages
- 5 heures de lecture
En savoir plus sur le livre
Spatial Experience versus Perception Abbas Akhavan (b. Tehran, Iran, 1977; lives and works in Toronto) can be counted among a generation of emerging Canadian artists reflecting on social issues through ephemeral, site-specific works. Akhavan’s works – sculptures, installations, drawings, videos, and performances – deal with destruction and exclusion, but also with acts of preservation and restoration. His conceptual objects show a creative process that is not yet complete. In his works, Akhavan refers to nature and the four elements – fire, water, earth, and air. Plants or animals become elementary design components. In the exhibition at Villa Stuck, visitors first encounter a barrier in the form of a thuja hedge, bringing the outdoors inside. Here, the artist has left conspicuous traces of preceding exhibitions: the walls are unrenovated, the air-conditioning is switched off, and previously covered windows have been uncovered. Thus, Akhavan questions the responsibilities of a museum and whether or not common strategies of preservation are actually contemporary. With a preface by Michael Buhrs and Verena Hein and contributions from Burcu Dogramaci, Vassilis Oikonomopoulos, Amy Zion, as well as a discussion between Abbas Akhavan and Verena Hein.
Achat du livre
Abbas Akhavan, Seyed Abbas Akhavan, Michael Buhrs
- Langue
- Année de publication
- 2017
- Reliure
- (souple),
- État du livre
- Très bon
- Prix
- 8,59 €
Modes de paiement
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- Titre
- Abbas Akhavan
- Sous-titre
- Villa Stuck
- Auteurs
- Seyed Abbas Akhavan, Michael Buhrs
- Éditeur
- DISTANZ Verlag GmbH
- Publié
- 2017
- Format
- souple
- Pages
- 128
- ISBN10
- 3954762064
- ISBN13
- 9783954762064
- Séries
- Mots clés
- Beaux-arts, Art, Catalogues d'expositions, Sculpture, Études académiques, Éléments naturels
- Description
- Spatial Experience versus Perception Abbas Akhavan (b. Tehran, Iran, 1977; lives and works in Toronto) can be counted among a generation of emerging Canadian artists reflecting on social issues through ephemeral, site-specific works. Akhavan’s works – sculptures, installations, drawings, videos, and performances – deal with destruction and exclusion, but also with acts of preservation and restoration. His conceptual objects show a creative process that is not yet complete. In his works, Akhavan refers to nature and the four elements – fire, water, earth, and air. Plants or animals become elementary design components. In the exhibition at Villa Stuck, visitors first encounter a barrier in the form of a thuja hedge, bringing the outdoors inside. Here, the artist has left conspicuous traces of preceding exhibitions: the walls are unrenovated, the air-conditioning is switched off, and previously covered windows have been uncovered. Thus, Akhavan questions the responsibilities of a museum and whether or not common strategies of preservation are actually contemporary. With a preface by Michael Buhrs and Verena Hein and contributions from Burcu Dogramaci, Vassilis Oikonomopoulos, Amy Zion, as well as a discussion between Abbas Akhavan and Verena Hein.