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- 204pages
- 8 heures de lecture
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For nearly a century, scholars have viewed the third abbey at Cluny (Cluny III) through a lens of abstract principles, often attributing its design to a singular genius. This book challenges that perspective, proposing instead that Cluny III represents a collaborative effort among regional masons from diverse traditions, who came together to forge a new architectural style. The author, Professor Armi, supports this thesis through meticulous analysis of archaeological evidence, including masons' marks, and a detailed "hand analysis" of the site's sculpture. This approach reveals significant design changes, stylistic trends, and turning points in the masonry and sculpture of Cluny III. By examining major Burgundian structures of the era, such as Vézelay and Paray-le-Monial, he establishes a new chronology for the region's architecture and identifies key artists involved in the portal and capital sculptures. His findings challenge the long-held belief that sculpture was created on-site, demonstrating instead that finished pieces were integrated into the masonry at Cluny III and other sites. By focusing on individual masons and architectural details, Armi departs from traditional methodologies, supported by 400 illustrations, including innovative macrophotography. His work highlights the collaborative efforts of local masons, resulting in the creation of the Cluniac High Romanesque style.
Achat du livre
Masons and Sculptors in Romanesque Burgundy, C. Edson Armi
- Langue
- Année de publication
- 1983
- Reliure
- (rigide),
- État du livre
- Bon
- Prix
- 8,09 €
Modes de paiement
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- Titre
- Masons and Sculptors in Romanesque Burgundy
- Sous-titre
- The New Aesthetic of Cluny III
- Langue
- Anglais
- Auteurs
- C. Edson Armi
- Éditeur
- Penn State University Press
- Publié
- 1983
- Format
- rigide
- Pages
- 204
- ISBN10
- 0271003383
- ISBN13
- 9780271003382
- Séries
- Catégories
- Mots clés
- Architecture, Histoire de l'art, Sculpture
- Description
- For nearly a century, scholars have viewed the third abbey at Cluny (Cluny III) through a lens of abstract principles, often attributing its design to a singular genius. This book challenges that perspective, proposing instead that Cluny III represents a collaborative effort among regional masons from diverse traditions, who came together to forge a new architectural style. The author, Professor Armi, supports this thesis through meticulous analysis of archaeological evidence, including masons' marks, and a detailed "hand analysis" of the site's sculpture. This approach reveals significant design changes, stylistic trends, and turning points in the masonry and sculpture of Cluny III. By examining major Burgundian structures of the era, such as Vézelay and Paray-le-Monial, he establishes a new chronology for the region's architecture and identifies key artists involved in the portal and capital sculptures. His findings challenge the long-held belief that sculpture was created on-site, demonstrating instead that finished pieces were integrated into the masonry at Cluny III and other sites. By focusing on individual masons and architectural details, Armi departs from traditional methodologies, supported by 400 illustrations, including innovative macrophotography. His work highlights the collaborative efforts of local masons, resulting in the creation of the Cluniac High Romanesque style.