Paramètres
- 312pages
- 11 heures de lecture
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Through the lens of chaos theory, Conte provides fresh interpretations of eight major contemporary authors whose works have sparked significant critical debate. He explores the interplay between order and disorder in the writings of John Hawkes, Harry Mathews, John Barth, Gilbert Sorrentino, Robert Coover, Thomas Pynchon, Kathy Acker, and Don DeLillo. Conte employs a distinctive approach influenced by chaos theory, focusing on narratives that reveal hidden order within disorder (termed “proceduralists”) and those that depict disorder arising from established order (referred to as “disruptors”). He documents the transition from modernism, where artists sought to impose order on chaos, to postmodernism, characterized by the representation of “orderly disorder.” This shift reflects postmodern artists' incorporation of scientific concepts to explore complex ideas. Conte illustrates how chaos theory intersects with various fields, including economics, politics, biology, and cognitive science, proposing a move from modernist specialization to postmodern pluralism. In this pluralistic context, the novel transcends literary boundaries, fostering greater interaction between literature and science, as well as between authors and readers. Ultimately, Conte posits that contemporary literature embodies a state of flux and flexibility.
Achat du livre
Design and Debris, Joseph J. Conte
- Langue
- Année de publication
- 2002
- Reliure
- (souple)
Modes de paiement
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- Titre
- Design and Debris
- Sous-titre
- A Chaotics of Postmodern American Fiction
- Langue
- Anglais
- Auteurs
- Joseph J. Conte
- Éditeur
- University Alabama Press
- Publié
- 2002
- Format
- souple
- Pages
- 312
- ISBN10
- 0817311157
- ISBN13
- 9780817311155
- Séries
- Mots clés
- Thème historique, Science, États-Unis, 20e siècle, Littérature américaine, Critique littéraire, Littérature postmoderne, Anglais américain, Pluralisme, Théorie du chaos
- Description
- Through the lens of chaos theory, Conte provides fresh interpretations of eight major contemporary authors whose works have sparked significant critical debate. He explores the interplay between order and disorder in the writings of John Hawkes, Harry Mathews, John Barth, Gilbert Sorrentino, Robert Coover, Thomas Pynchon, Kathy Acker, and Don DeLillo. Conte employs a distinctive approach influenced by chaos theory, focusing on narratives that reveal hidden order within disorder (termed “proceduralists”) and those that depict disorder arising from established order (referred to as “disruptors”). He documents the transition from modernism, where artists sought to impose order on chaos, to postmodernism, characterized by the representation of “orderly disorder.” This shift reflects postmodern artists' incorporation of scientific concepts to explore complex ideas. Conte illustrates how chaos theory intersects with various fields, including economics, politics, biology, and cognitive science, proposing a move from modernist specialization to postmodern pluralism. In this pluralistic context, the novel transcends literary boundaries, fostering greater interaction between literature and science, as well as between authors and readers. Ultimately, Conte posits that contemporary literature embodies a state of flux and flexibility.