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Subverting the Present, Imagining the Future

Insurrection, Movement, Commons

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Nonfiction. Political Science. Criticism and Theory. Following on the prior anthology REVOLUTIONARY WRITING, this volume of essays in and about contemporary radical political theory is organized in three main parts. The first section centers on current debates about the concept of Primitive Accumulation, with contributions by the Midnight Notes Collective, Massimo De Angelis, Werner Bonefeld, Paul Zarembka and Mariarosa Dalla Costa. The middle section examines aspects of subversion in everyday life, with essays by Stevphen Shukaitis, the Leeds May Day Group, Harry Cleaver, and Sergio Tischler. The concluding section has case studies in national contexts--the United States, Mexico and Argentina--from George Caffentzis, Patrick Cunninghame, and Ana Cecelia Dinerstein, and a final essay by Nick Dyer-Witheford on the concept of "The Multitude."

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Subverting the Present, Imagining the Future, Werner Bonefeld

Langue
Année de publication
2007
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(souple),
État du livre
Bon
Prix
77,99 €

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Titre
Subverting the Present, Imagining the Future
Sous-titre
Insurrection, Movement, Commons
Langue
Anglais
Éditeur
Autonomedia
Publié
2007
Format
souple
Pages
280
ISBN10
1570271844
ISBN13
9781570271847
Séries
Description
Nonfiction. Political Science. Criticism and Theory. Following on the prior anthology REVOLUTIONARY WRITING, this volume of essays in and about contemporary radical political theory is organized in three main parts. The first section centers on current debates about the concept of Primitive Accumulation, with contributions by the Midnight Notes Collective, Massimo De Angelis, Werner Bonefeld, Paul Zarembka and Mariarosa Dalla Costa. The middle section examines aspects of subversion in everyday life, with essays by Stevphen Shukaitis, the Leeds May Day Group, Harry Cleaver, and Sergio Tischler. The concluding section has case studies in national contexts--the United States, Mexico and Argentina--from George Caffentzis, Patrick Cunninghame, and Ana Cecelia Dinerstein, and a final essay by Nick Dyer-Witheford on the concept of "The Multitude."