Paramètres
- 466pages
- 17 heures de lecture
En savoir plus sur le livre
This edited collection develops the Strong Program’s contribution to the sociological study of the arts and places it in conversation with other cultural perspectives in the field. Presenting some of the newest and most original research by both renowned figures and early career scholars, the volume marks a new stage in the development of the cultural sociology of art and music. The chapters in Part 1 set new agendas by reflecting on the field’s history, presenting theoretical innovations, and suggesting future directions for research. Part 2 explores aesthetic issues and challenges in the creation, experience, and interpretation of art and music. Part 3 focuses on the material environments and social settings where people engage with art and music. In Part 4, the contributors examine controversies about music and contestation over artistic matters, whether in the public sphere, in the American judicial system, or in an emerging academic discipline. The editor’s introduction and Ron Eyerman's afterword place the chapters in context and reflect on their collective contribution to meaning-centered sociology.
Achat du livre
The Cultural Sociology of Art and Music, Lisa McCormick
- Langue
- Année de publication
- 2022
- product-detail.submit-box.info.binding
- (rigide)
Modes de paiement
Personne n'a encore évalué .
- Titre
- The Cultural Sociology of Art and Music
- Sous-titre
- New Directions and New Discoveries
- Langue
- Anglais
- Auteurs
- Lisa McCormick
- Éditeur
- Palgrave Macmillan
- Publié
- 2022
- Format
- rigide
- Pages
- 466
- ISBN10
- 3031114191
- ISBN13
- 9783031114199
- Séries
- Mots clés
- Sciences sociales, Sociologie, Culture et Société, Race, Racisme, Migration, Morale, Sociologie de la culture, Propriété intellectuelle, Critique musicale
- Description
- This edited collection develops the Strong Program’s contribution to the sociological study of the arts and places it in conversation with other cultural perspectives in the field. Presenting some of the newest and most original research by both renowned figures and early career scholars, the volume marks a new stage in the development of the cultural sociology of art and music. The chapters in Part 1 set new agendas by reflecting on the field’s history, presenting theoretical innovations, and suggesting future directions for research. Part 2 explores aesthetic issues and challenges in the creation, experience, and interpretation of art and music. Part 3 focuses on the material environments and social settings where people engage with art and music. In Part 4, the contributors examine controversies about music and contestation over artistic matters, whether in the public sphere, in the American judicial system, or in an emerging academic discipline. The editor’s introduction and Ron Eyerman's afterword place the chapters in context and reflect on their collective contribution to meaning-centered sociology.