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This book delves into the connection between aesthetic experience and our understanding of the holy, aiming to articulate a theology of revelation through the lens of aesthetic feeling, imagination, beauty, and the arts. Richard Viladesau examines how theology can embody imaginative and beautiful elements, focusing on the theological significance of aesthetic data across three major spheres of perception. Central to his inquiry is how these spheres serve as ambiguous sources of revelation. While much of the discussion is framed within Catholic theology, referencing figures like the Church Fathers, Karl Rahner, and Hans Urs von Balthasar, Viladesau also incorporates insights from Protestant theologian Gerardus van der Leeuw and thinkers such as Hans Georg Gadamer and Iris Murdoch. His analysis is enriched by artistic examples, including Mozart's music as interpreted by Karl Barth, Schoenberg's opera Moses und Aron, the sculptures of Chartres Cathedral, and the poetry of Rilke and Michelangelo. Ultimately, Viladesau presents a transcendental theology of aesthetics, positing that beauty, understood through Thomistic principles, is not just a perfection but a transcendental quality. He argues that every instance of beauty, when rightly perceived, implies a divine beauty, asserting that God is the essential condition for the existence of beauty.
Achat du livre
Theological Aesthetics, Richard Viladesau
- Langue
- Année de publication
- 1999
- Reliure
- (rigide),
- État du livre
- Bon
- Prix
- 31,99 €
Modes de paiement
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- Titre
- Theological Aesthetics
- Sous-titre
- God in Imagination, Beauty, and Art
- Langue
- Anglais
- Auteurs
- Richard Viladesau
- Éditeur
- Oxford University Press
- Publié
- 1999
- Format
- rigide
- Pages
- 320
- ISBN10
- 019512622X
- ISBN13
- 9780195126228
- Séries
- Mots clés
- Art, Théologie, Études postuniversitaires
- Description
- This book delves into the connection between aesthetic experience and our understanding of the holy, aiming to articulate a theology of revelation through the lens of aesthetic feeling, imagination, beauty, and the arts. Richard Viladesau examines how theology can embody imaginative and beautiful elements, focusing on the theological significance of aesthetic data across three major spheres of perception. Central to his inquiry is how these spheres serve as ambiguous sources of revelation. While much of the discussion is framed within Catholic theology, referencing figures like the Church Fathers, Karl Rahner, and Hans Urs von Balthasar, Viladesau also incorporates insights from Protestant theologian Gerardus van der Leeuw and thinkers such as Hans Georg Gadamer and Iris Murdoch. His analysis is enriched by artistic examples, including Mozart's music as interpreted by Karl Barth, Schoenberg's opera Moses und Aron, the sculptures of Chartres Cathedral, and the poetry of Rilke and Michelangelo. Ultimately, Viladesau presents a transcendental theology of aesthetics, positing that beauty, understood through Thomistic principles, is not just a perfection but a transcendental quality. He argues that every instance of beauty, when rightly perceived, implies a divine beauty, asserting that God is the essential condition for the existence of beauty.