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A Vision of Nature

Traces of the Original World

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  • 312pages
  • 11 heures de lecture

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For thousands of years, humans have grappled with the concept of Nature, leaving a profound impact on art, stories, and philosophical systems. In this work, Michael Tobias explores the aesthetic, psychological, and philosophical effects of Earth on humanity, presenting an invigorating overview of ecological aesthetics. The book consists of 10 autobiographical essays, richly illustrated with art and images previously unseen in an ecological context. Tobias delves into the mystical connections between figures like Vivaldi, Giorgione, and Dosso Dossi, drawing parallels between the Age of Exploration and the emergence of the "interior landscape" in van Eyck and Vermeer’s works. He examines ancient Mediterranean cultures, ascetics from Sinai and Tibet, and the ecologically balanced lifestyle of the Jains in India. Profiling 19th-century European and American artists, he uncovers continuities among figures such as poet Percy Bysshe Shelley and painters Ralph Blakelock and George Inness. Tobias identifies a shared instinct for rebirth over destruction in the lives of explorer Francis Kingdon Ward, storyteller Hugh Lofting, and philosopher Nikos Kazantzakis. He concludes his lyrical journey in Antarctica, reflecting on humanity's future as caretakers of the Earth, emphasizing that our survival depends on our commitment to the truth, beauty, and sanctity of Nature.

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A Vision of Nature, Michael Tobias

Langue
Année de publication
1991
Reliure
(rigide),
État du livre
Bon
Prix
6,99 €

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Titre
A Vision of Nature
Sous-titre
Traces of the Original World
Langue
Anglais
Publié
1991
Format
rigide
Pages
312
ISBN10
0873384830
ISBN13
9780873384834
Séries
Description
For thousands of years, humans have grappled with the concept of Nature, leaving a profound impact on art, stories, and philosophical systems. In this work, Michael Tobias explores the aesthetic, psychological, and philosophical effects of Earth on humanity, presenting an invigorating overview of ecological aesthetics. The book consists of 10 autobiographical essays, richly illustrated with art and images previously unseen in an ecological context. Tobias delves into the mystical connections between figures like Vivaldi, Giorgione, and Dosso Dossi, drawing parallels between the Age of Exploration and the emergence of the "interior landscape" in van Eyck and Vermeer’s works. He examines ancient Mediterranean cultures, ascetics from Sinai and Tibet, and the ecologically balanced lifestyle of the Jains in India. Profiling 19th-century European and American artists, he uncovers continuities among figures such as poet Percy Bysshe Shelley and painters Ralph Blakelock and George Inness. Tobias identifies a shared instinct for rebirth over destruction in the lives of explorer Francis Kingdon Ward, storyteller Hugh Lofting, and philosopher Nikos Kazantzakis. He concludes his lyrical journey in Antarctica, reflecting on humanity's future as caretakers of the Earth, emphasizing that our survival depends on our commitment to the truth, beauty, and sanctity of Nature.