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- 5 heures de lecture
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Peter Eisenman is a prominent and controversial figure in architecture, recognized for both his theoretical essays and built works. While existing literature often focuses on one aspect, this volume uniquely connects Eisenman's architecture with his theoretical insights through the lens of form. It posits that form serves as a mediator between our physical bodies, inner experiences, and the external world, facilitating connections between philosophy and architecture. Throughout his career, Eisenman has engaged deeply with the concept of form, challenging traditional notions. He views form not merely as a cognitive tool that distinguishes between active and passive elements or inside and outside spaces. Instead, he aims to link his work to contemporary cultural expressions, influenced initially by Colin Rowe's formalism, then by Chomsky's linguistic theories, and later through collaboration with Derrida's deconstructivism. More recently, he has explored Henri Bergson's concept of Time. These influences highlight various phases of his work, showcasing an evolving understanding of form. By adopting a multidisciplinary approach that intersects architecture and philosophy, this book delves into these definitions, offering fresh insights and a deeper comprehension of Eisenman's complex contributions to the field.
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From Formalism to Weak Form, Stefano Corbo
- Langue
- Année de publication
- 2014
- Reliure
- (rigide)
Modes de paiement
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- Titre
- From Formalism to Weak Form
- Sous-titre
- the architecture and philosophy of Peter Eisenman
- Langue
- Anglais
- Auteurs
- Stefano Corbo
- Éditeur
- Ashgate
- Publié
- 2014
- Format
- rigide
- Pages
- 128
- ISBN10
- 1472443144
- ISBN13
- 9781472443144
- Séries
- Mots clés
- Nonfiction, Art / Culture, Architecture, Architecture et urbanisme
- Description
- Peter Eisenman is a prominent and controversial figure in architecture, recognized for both his theoretical essays and built works. While existing literature often focuses on one aspect, this volume uniquely connects Eisenman's architecture with his theoretical insights through the lens of form. It posits that form serves as a mediator between our physical bodies, inner experiences, and the external world, facilitating connections between philosophy and architecture. Throughout his career, Eisenman has engaged deeply with the concept of form, challenging traditional notions. He views form not merely as a cognitive tool that distinguishes between active and passive elements or inside and outside spaces. Instead, he aims to link his work to contemporary cultural expressions, influenced initially by Colin Rowe's formalism, then by Chomsky's linguistic theories, and later through collaboration with Derrida's deconstructivism. More recently, he has explored Henri Bergson's concept of Time. These influences highlight various phases of his work, showcasing an evolving understanding of form. By adopting a multidisciplinary approach that intersects architecture and philosophy, this book delves into these definitions, offering fresh insights and a deeper comprehension of Eisenman's complex contributions to the field.