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- 282pages
- 10 heures de lecture
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As a teacher, Hans Hofmann left his mark on generations of artists in both Europe and America. He had an equally brilliant career as a painter. Hofmann operated a famous teaching studio first in Europe and then in New York at a pivotal moment when a new kind of subjective, non-figurative art was emerging as the dominant movement. His work is insistent upon color, texture, and form, and his astoundingly liberated later canvases are more than expressions of a creative process; they are, in the words of art historian Robert Goldwater, "...less the culmination of a life-long development than a kind of rebirth, an entirely new, youthful phase."
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Hans Hofmann, Tina Dickey, James Yohe, Sam Hunter, Frank Stella
- Langue
- Année de publication
- 2006
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- (rigide)
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- Titre
- Hans Hofmann
- Langue
- Anglais
- Auteurs
- Tina Dickey, James Yohe, Sam Hunter, Frank Stella
- Publié
- 2006
- Format
- rigide
- Pages
- 282
- ISBN10
- 0847823806
- ISBN13
- 9780847823802
- Séries
- Mots clés
- Nonfiction, Art / Culture, Beaux-arts, Peinture & Sculpture, Histoire et théorie de l’art, Histoire de l'art, Artistes, Méthodes d'enseignement
- Évaluation
- 4,35 sur 5
- Description
- As a teacher, Hans Hofmann left his mark on generations of artists in both Europe and America. He had an equally brilliant career as a painter. Hofmann operated a famous teaching studio first in Europe and then in New York at a pivotal moment when a new kind of subjective, non-figurative art was emerging as the dominant movement. His work is insistent upon color, texture, and form, and his astoundingly liberated later canvases are more than expressions of a creative process; they are, in the words of art historian Robert Goldwater, "...less the culmination of a life-long development than a kind of rebirth, an entirely new, youthful phase."