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The conspicuous concern with marriage in the eighteenth-century drama is placed in the context of Hardwicke's 1753 Marriage Act and the consequences of the 1603 legislation on bigamy, and the ambitious experiment of Arthur Murphy and Samuel Foote at Drury Lane in 1761 is scrutinised. The third section focuses on twentieth-century performances of Shakespeare - at Stratford in the 1970s and in the New Globe as the new century begins."--BOOK JACKET.
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On Actors and Acting, Peter Thomson
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- Année de publication
- 2000
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