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Since 1975, Karl Horst Hödicke has looked out from the window of his studio in Dessauer Straße at the no man's land of Potsdamer Platz, his "Gobi", with the Wall – and without. He saw monsters sitting on the Wall, leering watchfully and malevolently. The people of Berlin walked their dogs, children and tearaways scribbled on the "anti-fascist protection barrier". In the distance, the Philharmonic Orchestra, the Brandenburg Gate, the Victory Column (Goldelse), Wilhelmstraße, the Martin-Gropius-Bau and the Teufelsberg. During the Cold War, the area was pulverised and emptied. The painter made his notes. And so, without intending to, he became a chronicler of the most crucial events in recent German history. His thoughts on these images are published for the first time in this catalogue.
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Berlin, Potsd. Pl., Karl H. Hödicke
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- Année de publication
- 2015
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