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Cafard, vertiges et vodkas glace

Roman

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  • 349pages
  • 13 heures de lecture

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In this compassionate, wise, and comical debut, Kate Christensen gives an engaging and authentic voice to a new generation of single urban women. Claudia Steiner never intended for her life to become such a disaster. At the age of twenty-nine she finds herself serving as secretary to an insane, aging socialite who barks orders from her toilet, specializes in devastating backhanded remarks, and expects Claudia to ghostwrite her best-selling novels. Her job pays enough to keep her in overpriced cocktails, cabs, and take-out but doesn't cover the rent on her roach-infested apartment or keep her creditors at bay. Her romantic prospects are no better. She's hopelessly in love with her best friend, a corporate lawyer who may or may not be gay, and she's still relentlessly pursued by her ex-lover, a married unpublished epic poet. All Claudia can rely on--aside from her wry sense of humor and her faith in the medicinal properties of whiskey--is a persistent little flame of belief in herself, which gives her the glimmer of a chance for a happy ending.

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Cafard, vertiges et vodkas glace, Christine Barbaste, Kate Christensen

Langue
Année de publication
2002
Reliure
(souple),
État du livre
Bon
Prix
6,09 €

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Titre
Cafard, vertiges et vodkas glace
Sous-titre
Roman
Langue
Français
Éditeur
J'ai Lu
Publié
2002
Format
souple
Pages
349
ISBN10
2290317306
ISBN13
9782290317303
Séries
Description
In this compassionate, wise, and comical debut, Kate Christensen gives an engaging and authentic voice to a new generation of single urban women. Claudia Steiner never intended for her life to become such a disaster. At the age of twenty-nine she finds herself serving as secretary to an insane, aging socialite who barks orders from her toilet, specializes in devastating backhanded remarks, and expects Claudia to ghostwrite her best-selling novels. Her job pays enough to keep her in overpriced cocktails, cabs, and take-out but doesn't cover the rent on her roach-infested apartment or keep her creditors at bay. Her romantic prospects are no better. She's hopelessly in love with her best friend, a corporate lawyer who may or may not be gay, and she's still relentlessly pursued by her ex-lover, a married unpublished epic poet. All Claudia can rely on--aside from her wry sense of humor and her faith in the medicinal properties of whiskey--is a persistent little flame of belief in herself, which gives her the glimmer of a chance for a happy ending.