Focusing on the concept of voice as cultural evidence, the book examines how diverse perspectives challenged the communication norms of New Labour's empathetic regime. It delves into the dynamics of mainstream theatre, exploring the complexities faced by newly included voices as they navigate the institutions that seek to represent their identities. Through this lens, it highlights the significance of articulation and audibility in shaping contemporary narratives and the representation of marginalized communities.
M. Inchley Ordre des livres


- 2015
- 2015
Voice and New Writing, 1997-2007
- 204pages
- 8 heures de lecture
"Voice and New Writing" examines how diverse voices challenge the norms of expression in New Labour's empathetic regime. It investigates the significance of having a voice in mainstream theatre and the complexities faced by newly included voices in negotiating their identities with institutional representation.